Reviews for Hidden Room Theatre Performances

Review: The Rover by Hidden Room Theatre

Review: The Rover by Hidden Room Theatre

by David Glen Robinson
Published on February 20, 2019

Deep research, authentic practice, inspired 80's design on top of a Restoration scene of revelry and sexual violence. Many of Austin's best young, still rising stage stars appear in Hidden Room's THE ROVER.

 

Aphra Behn’s The Rover is a Restoration action-adventure tale of libertinism, romantic intrigue, riches lost and won, kingdoms contested, and a whole lot of sexual violence. The piquant theme of sexual violence gives us romantic couplings, marriage, mistaken identities, jealousy and revenge, revelry, prostitution, flirtation, frank depictions of attempted rape, love every which way, wild dancing, and swordfight after swordfight. The tropes of mistaken identity, masquerades, and mannish boys (often in disguise) are those ...

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Review: John Wilkes Booth's RICHARD III by Hidden Room Theatre

Review: John Wilkes Booth's RICHARD III by Hidden Room Theatre

by David Glen Robinson
Published on June 25, 2018

Director Beth Burns has gathered close around her a company of like-minded theatre artists who polish obscure gems and set them to shine on stage. Their revival of John Wilkes Booth's RICHARD III is dazzling and thrilling.

 

Booth’s Richard III is Colley Cibber’s Richard III with actor/director/theatrical impresario John Wilkes Booth’s inflections. Yes,  John Wilkes Booth.  His radicalizing take on Richard III was found in his director’s prompt book for the play, unearthed in the massive geological literary deposits of the Harry Ransom Center at UT Austin. The excavator was curator Eric Colleary, who recognized the significance of the find and communicated it to Beth Burns, Producing Artistic Director ...

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Review: Henry IV by Hidden Room Theatre

Review: Henry IV by Hidden Room Theatre

by David Glen Robinson
Published on September 19, 2017

What all of us got was a rollicking, loud, action-adventure tale performed in live: Shakespeare amped, glorious, and compelling down to the last tear and blood splat.

 

At the end of The Hidden Room’s Henry the Fourth by William Shakespeare, the audience pauses to catch its breath. What have we just seen? The many people there on dates may have been expecting a dry reading of a play they read in college. People closer to the theatre scene may have expected a painstaking period drama in exquisite costumes. 

 

What all of us got was a rollicking, loud, action-adventure tale ...

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Review: Houdini Speaks to the Living by Hidden Room Theatre

Review: Houdini Speaks to the Living by Hidden Room Theatre

by Michael Meigs
Published on October 25, 2016

Director Beth Burns, magician Patrick Terry and ardently appreciated Ausin actor Robert Matney provide a masterful and eye-opening brief evening of entertainment and reflection.

Matriarch of the Hidden Room Theatre Beth Burns already had access to a venue appropriate for this conversation on the shadowy mysteries of the afterlife.  The third-floor meeting hall of the York Rite Masonic Temple downtown on 7th Street has been an ample but problematic space for other innovative costumed works. Its long rectangular space, generally deficient lighting, platforms with throne-like wooden chairs at either extreme of the room and awkward entrances and exits have ...

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Nahum Tate, Knock-offs, Lear and 'Tatefication'

Nahum Tate, Knock-offs, Lear and 'Tatefication'

by Stephen Meigs
Published on November 18, 2015

Nahum Tate fits Willy Loman’s definition of a loser: “He was liked… but not well liked.”

Toward a Traditional Trampling of the Reputation of Mr. Nahun Tate  

 

The History Of King Lear, Nahum Tate’s adaptation of Shakespeare’s classic, was popular for 150 years.  But that’s not his only claim to fame. 

 

Tate also wrote lyrics for a Christmas carol still sung today, “While Shepherds watched their flocks at night, ” here performed by the King’s College Choir in 2011.

 

No Blanche Dubois, Mr. Tate had ...

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Review: The History of King Lear, Nahum Tate adaptation by Hidden Room Theatre

Review: The History of King Lear, Nahum Tate adaptation by Hidden Room Theatre

by David Glen Robinson
Published on November 11, 2015

Beth Burns' version of Nahum Tate's reworked KING LEAR could be subtitled 'Restoration Cinematic Kabuki.' Strongly recommended!

 

The English Restoration was made in 1660, and 21 years into Charles II’s reign Nahum Tate premiered his History of King Lear in London.  The play was a strong rewriting of Shakespeare’s King Lear, much to Restoration tastes.  Tate’s tale of the mad, storm-crawling king with two treacherous daughters held sway on stages for 150 years, it is said, until there was something of a Shakespearean restoration.  Thereafter, Tate’s version was ...

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