Recent Reviews
The Biscuiteater by Jim Loucks
by David Glen Robinson
Published on January 24, 2015
Loucks is an excellent performer, and the highest mark of his skill is his ability to flash back and forth between two characters in dialogue, a chameleon changing colors while trapped in a kaleidoscope.
Austin’s newest theatre venue, the Ground Floor Theater, opened its performance doors to the world on January 19 with the first performances of the 2015 edition of FronteraFest Long Fringe. The theater is the brainchild of Lisa Scheps and Patti Neff-Tiven, producers who envisioned a theater to meet a dire need: an independent, community-collaborative theater to counter the recent shutterings of east side theaters. Robert Faires of the Austin Chronicle has called the independent east …
Review: The Insomniacs' Ball by Chris Fontanes
by Michael Meigs
Published on January 22, 2015
The insomniacs' late sleepless night breathed not of angst but of ennui. . . . In his millenial neo-Romantic script Fontanes moves his characters toward communion, if not toward hope or optimism.
Theatre, in the concept of this website, isn't an industry or an institution. It's a way of experiencing and reporting the world, a collaborative effort to explore what's important to us now, at this moment in history and at this time in our lives. The power of mimesis lends itself to large scale commercial presentation, including on screen and in extravagant live entertainments ("Razzle-dazzle 'em," as Billy Flynn advises Roxy in Kander and Ebb's …
Review: Deus Ex Machina by Liz Fisher
by David Glen Robinson
Published on January 20, 2015
The oracle dance conveyed the outer excitement of the setting and the inner turmoil of the diverse characters tossed willingly within its circle of clairvoyant fire. This was brilliant choreography, flawlessly danced.
Whirligig Productions and playwright Liz Fisher seem to have turned a corner in theatre with their production of Deus ex Machina, now enjoying its spectacular premiere run at the Rollins Studio Theatre at the Long Center. The production is a new play by Fisher, her compound of the three plays in Aeschylus’ Oresteia, about the House of Atreus after the Trojan War. Her work also incorporates some of Sophocles’ and Euripides’ follow-on works (fan fiction?) …
Review: Mauritius by Theresa Rebeck, Different Stages
by Michael Meigs
Published on January 19, 2015
Different Stages' production of Mauritius is a crackerjack film noir, up close, live and in color.
Different Stages' production of Mauritius is a crackerjack film noir, up close, live and in color. Although there are three playing areas cursorily defined by Ann Marie Gordon's set on the City Theatre stage and the director chooses at times to leave two of them inhabited, the impression created by the clash of competing interests is that it's all taking place in one room. Perhaps in the claustrophobic room of the …
Review: Miracle on 34th Street by Penfold Theatre Company
by Michael Meigs
Published on December 10, 2014
Christmas and the holidays are a time for comfort. Jingle bells, tinsel on the tree, Santa Claus everywhere as image, in real life and in our imagination. We were far from the United States when our children were growing up, but we shared the joy and comfort of the season with VHS tapes of It's A Wonderful Life (1946) andMiracle on 34th Street (1947), both in glorious living black and white. I hadn't seen them …
Review: Cyrano de Bergerac by Austin Shakespeare
by Thomas Hallen
Published on December 07, 2014
Austin Shakespeare has a large burden to shoulder, and many expectations to live up to. Any city's primary Shakespeare theatre must do the Bard justice and provide enough variety for the Bard-averse. I saw Cyrano on the third Saturday and returned home to read the reviews, and I find I hotly disagree with all three that CTXLT has linked to. This review is both dissent and discussion of a major artistic product from a significant …