by Michael Meigs
Published on December 07, 2014
This isn't history. It's emotional time travel, back to the desperate depths of the mid-1930s when the near collapse of our economic system was grinding up honest working men and their families like hamburger. Street Corner Arts' blistering, riveting production at the Hyde Park Theatre puts the audience directly into a shabby union hall where drivers debate whether to go out on strike for wage hikes. In a series of scenes on that same platform, …
by Michael Meigs
Published on November 21, 2014
An enthusiastic voice behind us as we exited Bass Concert Hall at the University of Texas last night: "That was nothing like the movie!" Live performance, even in the cavernous space of the Bass, can seize your attention and send your heart racing in ways that no flat screen image ever can. And that's what happens in the 15th (annual?) tour of Chicago, playing in Austin through this coming Sunday. The story is familiar and, frankly, banal, a …
by Michael Meigs
Published on November 21, 2014
An enthusiastic voice behind us as we exited Bass Concert Hall at the University of Texas last night: "That was nothing like the movie!" Live performance, even in the cavernous space of the Bass, can seize your attention and send your heart racing in ways that no flat screen image ever can. And that's what happens in the 15th (annual?) tour of Chicago, playing in Austin through this coming Sunday. The story is familiar and, frankly, banal, a …
by Michael Meigs
Published on November 20, 2014
Opened just a year ago, the Patti Strickel Harrison Theatre at Texas State is a first-class facility, ample both inside and in its exterior spaces, spacious but at the same time snug. But you may find yourself disconcerted, even disoriented as you wait for the beginning of A Midsummer Night's Dream, for the stage is bare. You can see all the way to the cinderblock stark walls in the depths of the performing space. At …
by Michael Meigs
Published on November 17, 2014
David Boss with his resonant baritone and weary dead-pan styling makes a fine Philip Marlowe, or, in acknowledgment of the film noir inspiration for playwright Greg Klein and the company, a good Bogey. Klein's play is an homage to that very distinctive style, so much so that the first half of the Kickstarter promo video was a 1940s-style dramatization with first-person narration, video-recorded in stark black and white by director Will Hollis Snider. You could write a …
by Michael Meigs
Published on November 14, 2014
Davalos puts Faustus on the philosophy faculty, devoted to independent inquiry, presents Martin Luther as a somber senior lecturer in theology, and portrays the undergraduate Hamlet as indecisive, moody, and something of a slacker. And so the fun begins.
There's some wickedly clever entertainment taking place down in the cellar of Playhouse San Antonio, where playwright-actor David Davalos is doing saucy stand-up comedy set in early 16th century Germany. In the second scene of Hamlet, Claudius the new king informs the prince, "For your intent in going back to school in Wittenberg, It is most retrograde to our desire." That university in Saxony, nearly a century old when Shakespeare was writing, was reputed in Elizabeth's …