Recent Reviews
Review: The Quarry by Hyde Park Theatre
by Michael Meigs
Published on October 24, 2015
Two luminiscent performances by women company members are remarkably different but equally striking and captivating in this serenely puzzling story.
Hyde Park Theatre's production of The Quarry by Greg Pierce offers not one but two luminiscent performances by women company members. They're remarkably different but equally striking and captivating, demonstrations of the vitality of this long running and well established theatre. The HPT is a theatre that one's almost reluctant to write about, because it's a gem, hidden in plain sight. This reviewer, like Gollum, would really prefer to keep this 'precious' for himself. The …
Review: Cloud Formations by Bottle Alley Theatre Company
by Michael Meigs
Published on October 21, 2015
Playwright Fontanes has a thing for strong women protagonists, and Samantha Ireland as Marlow is the forceful and articulate but existentially confused center of this piece.
Chris Fontanes' Cloud Formations sets a Zen-like entry to the world of shadows it depicts. Part of that is the venue, Sessions on Mary, a 78704 bungalow with a scrap of yard out front, and part may be unintentional, an oversight in the publicity. Cloud Formations is announced for 7:30 p.m. Fridays - Sundays. In fact, the house opens at 7:30, but the action of the play begins sometime closer to 8 p.m. As happened with …
Review: The House on Haunted Hill by Weird City Theatre
by David Glen Robinson
Published on October 09, 2015
'House on Haunted Hill' is a brilliant work precisely because it doesn’t know what it wants to be—ghost story, slasher film, or crime drama/mystery.
Weird City Theatre has just opened its long-awaited new production, House on Haunted Hill, at Ground Floor Theatre on Austin’s east side. The show is something old and something new, a new stage adaptation (perhaps the only one) of the 1959 Vincent Price movie of the same name produced from the screenplay by Robb White. Today’s stage adaptation is by Robert L. Berry, a stalwart, multi-talented member of Weird City Theatre and other regional companies. Overall production …
Review: A View from the Bridge by Texas State University
by Michael Meigs
Published on October 07, 2015
A VIEW FROM THE BRIDGE at Texas State is complex, gripping and accomplished, theatre of the highest quality.
Sublimely imagined, cast and presented, Arthur Miller's A View from the Bridge at Texas State is a production any commercial playhouse would dream to equal. Miller was at the top of his form and very much in the public eye when he created the revised two-act version of this piece in 1956, seven years after Death of A Salesman and three years after The Crucible and its witch-hunting theme riled the House UnAmerican Activities Committee. In …
Review: Stalking John Barrowman by Last Act Theater Company
by David Glen Robinson
Published on October 05, 2015
This show wins with fresh wit and seemingly new melodies. The songs also render that giggly middle-school humor of presenting a few sly obscenities in song.
Stalking John Barrowman is a delightful, uproarious, sensational work of musical theatre. It has all of those qualities in abundance, plus it is loaded with that dry, obscene British wit, the kind Americans love. Think Monty Python’s Flying Circus with pussy, twat, and labia jokes. Don’t forget the twins Poo and Pee. No, stop what you’re thinking; it is all presented quite cleanly, with surprise after surprise, none of which will be revealed here. The plot …
Review: Much Ado About Nothing by Baron's Men
by Michael Meigs
Published on October 05, 2015
In this sprightly production the transformation of the sullen Don John into Dona Giovanna (Leanne Holmquist) is deft, apt, clear and powerful.
"Twenty-one productions in thirteen years!" director Monette Mueller informed opening-night spectators gathered before the torch-lit boards of the Curtain Theatre. The Baron's Men first performed in October, 2002 on a makeshift stage erected that very day. Their patron Richard Garriott later had a tidy Elizabethan-style stage erected for them on the north bank of the Colorado River, just west of the 360 bridge, and they've explored Shakespeare and other authors of early modern drama in …