Recent Reviews
Review: The Crapstall Street Boys by Trouble Puppet Theatre Company
by Hannah Bisewski
Published on January 27, 2012
The sheer morbidity of The Crapstall Street Boys may remind you of how dark the fairytales of your childhood really were. Maybe this particular fairytale isn’t much of a parody after all.
As part of Austin’s 2012 Fronterafest Trouble Puppet Theatre Company stages performs a haunting and unapologetically macabre piece at their home venue the Salvage Vanguard Theatre. The Crapstall Street Boys by TP leader Connor Hopkins tells the story of a factory employing boys, located in the heart of a town overrun by monsters. YouLad’s parents sell him to the factory in exchange for the money that will buy them a “monster masher” to protect themselves, and he starts …
Review: The Alien Baby Play by Tutto Theatre
by Michael Meigs
Published on January 26, 2012
In this production Kathleen Fletcher will make you believe in the impossible, no matter how the script was produced.
Bethany appeared first to the Austin public and to friends of Tutto Theatre in the warm and supporting setting of a private home in Westlake, last weekend. About twenty persons gathered in a living room comfortably furnished with artwork, masks and handicraft from across the world. Bethany was pleased to see all these friends at her "mom's house." She hurried about, offered us cookies, disappeared momentarily and then came back, rubbing the arc of her …
Review: The Cinderella Waltz by Red Dragon Players, Austin High School
by Michael Meigs
Published on January 25, 2012
Despite Samantha Melomo's stepmother readiness to trim feet with an axe as necessary to get 'em into that magic slipper, pretty much everyone comes out pleased at the end
The mischievous Don Nigro puts the Cinderella fairy tale into a humorous trailer-park context and sends it spinning around so unpredictably that you're never quite sure whether the sweet, mistreated Rosie Snow is going to turn up roses or not. Shannon Tipton directed a one-act version of the story last week as her inaugural outing with the Austin High School Red Dragons with their 401st stage production. It was a "novice" production with a cast …
Review: Viper Vixens of 2012 by Electronic Planet Ensemble
by Michael Meigs
Published on January 23, 2012
The video runs out before the music does, reverting to more abstract visualizations, and only then, in the last three numbers, does the EPE exert its real talent and reach beyond cheap vaudeville.
The Electronic Planet Ensemble are magic men -- I can say that since percussionist Rachel Fuhrer apparently has disappeared this year, leaving poet David Jewell, keyboardist Chad Salvata and bassist/video artist Sergio R. Samayoa to deliver this piece assisted by drummer Doug Marcis. I had to identify Marcis from the poster legend, since there was no program available at the Vortex this year. Their January offering for 2012, Viper Vixens, falls far short of earlier …
Review: I Hate Hamlet by Georgetown Palace Theatre
by Michael Meigs
Published on January 17, 2012
I Hate Hamlet moves quickly, has a touch of wisdom, only a whiff of pathos, a good deal of tolerance for the acting profession, and plenty of laughs along the way.
You don't have to hate Shakespeare's Hamlet in order to enjoy this lighthearted romp, but it does help to have an appreciation for ghosts. We're not talking about the grim visaged former king of Shakespeare's imagined Denmark, but about the much friendlier shade of the great tragedian John Barrymore. Once he appears after the obligatory set-up scenes of the television actor and his girlfriend moving into an ancient and remarkable old apartment in New York City, Kyle …
Review: Conversations While Dining Alone by Ken Johnson
by Hannah Bisewski
Published on January 16, 2012
Conversations While Dining Alone is an exercise in humanity, in stepping into the shoes of another person, probably someone less fortunate than yourself, and trying on that plight for size.
An evening at the Dougherty Arts Center for Ken Johnson’s Conversations While Dining Alone is a voyage into the brooding, lonely thoughts of the saddest people we know. Or maybe into those of just about everyone we know. These original monologues capture some of the ideas we have when we’re alone, the frustrations and the very ugliest thoughts that haunt our quieter moments. Chuck Merlo enters and seats himself at a desk, places a McDonalds breakfast …