by David Glen Robinson
Published on February 18, 2014
Circle the Wagons is now playing through March 3rd in eight cars and one red pickup truck in the parking lot of Hyde Park Christian Church on 45th Street in central Austin. This one is pretty close to unique for stage presentations, and in keeping with Exchange Artists’ reputation, the quality of each of the five-minute playlets performed in eight vehicles is exceptional. Five playwrights produced the work for Exchange Artists, and Content Love Knowles composed …
by Michael Meigs
Published on February 18, 2014
Have you discovered the Mary Moody Northen Theatre at St. Edward's University yet? It's probably the best-kept open theatre secret in town. For decades the university's theatre department has brought Equity actors to work with their undergraduates. Early on the department brought those pros in from either the East Coast or the Left Coast, and results could be colorful and unpredictable. In recent years, and certainly over the last decade, the St. Ed's teachers have …
by David Glen Robinson
Published on February 17, 2014
Matthew Lopez’s esteemed play The Whipping Man takes on race, America’s central issue from Appomattox until now. The participation of Jewish Americans in slavery and emancipation puts a wry and tragic twist on it all. Director Stacy Glazer and Production Designer Andy Berkovsky deserve commendation from the git-go for their boldness in addressing issues that have been with us for millennia. The competent cast worked very hard to make this beast roar. Here’s the thing: all the …
by Michael Meigs
Published on February 17, 2014
It is good -- very good -- to see Marc Pouhé back on the Austin stage. Tall, commanding, well-spoken and assured, he made a deep impression on theatre goers here back in 2008 and 2009 when appearing as Macbeth for Austin Shakespeare ("a formidable presence"), in The Three Sisters at Mary Moody Northen Theatre (anchoring "this lyric production. . . as a talkative, middle-aged lieutenant colonel. . . wistfully in love"), as a Dust Bowl preacher in the Zach Theatre's Grapes …
by Michael Meigs
Published on February 12, 2014
Surely it was inevitable that San Antonio's ambitious Classic Theatre would eventually take on Miller's Death of a Salesman. No serious survey of twentieth-century American drama could overlook Miller's deeply felt examination of Willy Loman. An ordinary man, Willy suffers as his life spirit and life blood ebb away under the confusions of a more complex society and the changing concept of what it takes to be a 'winner' in America. Willy struggles to make the …
by David Glen Robinson
Published on February 10, 2014
Playwright David Ives is surfing a crest of popularity in Austin and Texas, as his Venus in Fur closed its marvelous run two weeks ago at Austin Playhouse and continues to run in other Texas cities. Ives’ adaptation of The Liar has just opened at Austin Playhouse in Highland Mall, playing until March 9. Ives seems to specialize in fastening on works of literature and historical theatre and adapting them to contemporary tastes. Venus in Fur was structured as a …