by Michael Meigs
Published on March 30, 2011
No film can give the scope and the dazzle of Robbins' large dance scenes, and the choreography reproduced by Joey McKneely for this staging delivers excitement, humor and far more action than your eye can follow.
A stage jammed with more than 30 trim, talented dancers, a 15-piece orchestra doing Leonard Bernstein's instantly recognizable score, a couple of memorable scenic pieces and a respectful interpretation of the 1957 reinterpretation of Romeo and Juliet, tweaked only very slightly, if at all -- the touring company of West Side Story delivers exactly what the American public expects. The enterprise also provides an enlightening illustration of the difference between a film -- who hasn't seen and been …