by David Glen Robinson
Published on July 09, 2014
Different Stages’ production of George Bernard Shaw’s Pygmalion at the Vortex in East Austin is low on the radar in this summer of spectacular productions, but theatergoers should search out this classic play, updated and made fresh as the violets in Eliza Doolittle’s basket by Director Norman Blumensaadt. Different Stages has much to be proud of, at most levels, in this new production of an older and well-known play. The play derives ultimately from the …
by Michael Meigs
Published on July 01, 2014
The production of George Bernard Shaw’s Pygmalion playing at the Vortex is a sparkling interpretation by Norman Blumensaadt and the Different Stages cast and crew. This is a production not to be missed by anyone who appreciates the magic of narrative theatre. Practically all of us have seen the film version of Lerner and Loewe’s musical interpretation, My Fair Lady. It was relatively faithful to Shaw’s 1913 play, so there’ll be moments when you’ll suddenly …
by Michael Meigs
Published on January 16, 2014
Julia Cho's The Language Archive is a gently sentimental tale built inside a concept, similar to the way nesting birds inhabit a hedge. The theme is the failure of communication, and the metaphor is a collection of recordings and documents describing extinct languages curated by George, a fussy, white-coated linguist who's tongue-tied when it comes to expressing any sentiment. Cho writes her characters as variations on that theme. The gulf between George and his wife …
by David Glen Robinson
Published on December 01, 2013
Different Stages is mounting Joseph Kesselring’s Arsenic and Old Lace at the Vortex Theatre in East Austin from November 22nd to December 14th. It is something of a comedy standard and comes highly recommended. As Director Blumensaadt stated during his curtain speech, Arsenic and Old Lace is from the 1940s, produced on Broadway in 1941. It is also listed as a comedy classic, and that it certainly is, a period piece with sharp dialogue throughout …
by Michael Meigs
Published on December 01, 2013
Arsenic and Old Lace by Joseph Kesselring is one of those whimsical comedies that just won't die. The playwright wins our sympathies with a pair of comforting maiden aunts, their capable journalist nephew Mortimer and a sweet parson's daughter. He then plays a series of clever modulations in madness -- from the harmless to the surprising to the pathological. The play and the Jimmy Stewart movie are familiar, so this review's not likely to spoil …
by Catherine Dribb
Published on January 09, 2012
Zook’s character is strong and compelling. These dramatic performances were accented by the school children’s caricaturistic performances providing necessary comic relief against the evil of a conniving child’s web of lies
Having attended the performance with a friend who, while a fan of theater, nevertheless believes that scripts written after 1950 that don’t take into consideration the average attention span of adults will reduce their art to inconsiderate babbling, I became concerned when the greeter at the box office said, “The show runs over two hours but has two intermissions.” My pragmatic thespian friend, while relenting since The Children’s Hour was written in 1934 (before writers …