Recent Reviews
Review: Death and the Maiden by Sam Bass Community Theatre
by Jeremy Moran
Published on June 08, 2016
Cathie Sheridan seethes. When she cries, her tears are not those of a weak being crumbling in the face of fear but those of an empowered person using every single thing she has in order to obtain justice.
Ariel Dorfman's Death and the Maiden is not a literal ghost story, and yet there are ghosts hidden behind every corner of the action. These are the ghosts that linger in the lives of survivors of horrific human rights abuses the world over. They will forever hover over the life of Paulina Escobar (Cathie Sheridan), who was kidnapped, blindfolded, raped, and tortured by a sadistic, psychopathic doctor under a totalitarian government in an unnamed country …
Review: Privacy Settings: A Promethean Tale by Vortex Repertory Theatre
by David Glen Robinson
Published on June 06, 2016
Cautionary play PRIVACY SETTINGS: A PROMETHEAN TALE focuses on real world issues from drones to cyber sex trafficking. The clever treasure hunt that follows bodily sucks the audience into a high-risk tale of Pandora's Box.
A slightly-built man dressed in T-shirt and slacks is led to a high black stone cube by law officers. After gaining the top of the cube, the man is chained to it, arms and legs, by a high official in a suit. The man says nothing as law enforcement officers and the suited man berate him as a traitor for releasing the files to, of all hideous groups, the American public. The officers curse him, spit …
Review: This Side of the Dirt by Tito Beveridge
by Michael Meigs
Published on June 03, 2016
The playwright attempts to do a ighthearted treatment of family life in South Texas. Think 'Dallas' with character comedy. The result is closer to a very unfunny 'Beverly Hillbillies.'
The audience arriving in the black box theatre at the Dougherty Arts Center is treated to Donnie Stroud's marvelous slide show of Old West images from pastel postcards and hand-tinted photos from the early twentieth century. A few notes on This Side of the Dirt by Tito Beveridge, which follows: The two characters with whom we spend most of our time are both women. Jonna Juul-Hansen is Jean Ann, the middle-aged heiress of …
You’ve Got to Behave: An Analysis of Capital T’s production of TREVOR
by Brian Paul Scipione
Published on June 02, 2016
Trevor has hope and faith and keeps dealing with the simple-minded humans because he knows his day will come. Because America loves an underdog.
“Humor is tragedy plus time,” or is it “Comedy is tragedy plus time,” or is it “Tragedy plus time equals Comedy?” This old witticism has been attributed to many different personalities including Carol Burnett, Steve Allen and Mark Twain. I suspect, however, that the basic truth behind this observation is much older than all three of these potential sources. Trevor by Nick Jones is a comedic adaptation of a tragic event that occurred on …
Review: Clybourne Park by Penfold Theatre Company
by Michael Meigs
Published on May 30, 2016
Penfold Theatre's staging is superlative, off the top of any scale you might use to rate this important and fiercely relevant work of theatre art.
Plays and performances are complex works of art, and the impact upon those watching even the same staging may be wildly different. That's why I chose very early on -- eight years ago -- not to resort to inevitably misleading numerical rating scales in these reviews. One man's meat is another man's poison, of course, but more importantly, a reductive number is just as misleading as a dutiful standing ovation delivered by friends of the …
Review: The Hotel Vanya, or A Metaphysical-Paradigm At The End of Everythingness by Timothy Braun and Natalie George Productions
by David Glen Robinson
Published on May 29, 2016
The superb cast is the primary virtue of THE HOTEL VANYA, Timothy Braun's strongly metatheatrical quasi-Chekhovian work about bleak endings.
The promotional material for The Hotel Vanya, or A Metaphysical Paradigm At The End Of Everythingness promises a wide range of story glimpses for audiences, like the individual objects in a Dali painting or scenes in a Fellini movie. The promise is fulfilled, with slightly less color, in the dusty warehouse where the play is performed, but what the publicity does not say is that the play is the newest original theatrical production in regional central Texas …