Recent Reviews

Review: Tragedy: A Tragedy by Hyde Park Theatre

Review: Tragedy: A Tragedy by Hyde Park Theatre

by Jessica Helmke
Published on September 22, 2013

As the play comes to an end, the reporters tire and the anchor tap dances his way to a desperate conclusion. “This is John, crapping out,” says the weatherman.

Much To Say About NothingThe sun has set. The theatre is quiet. And a play begins. Just another normal Thursday night in Austin's Hyde Park neighborhood. But maybe it’s more than that, suggests playwright Will Eno. His play Tragedy: A Tragedy is now running at Hyde Park Theatre, engaging audiences with  ironic perceptions of mundane, everyday life. Eno’s repetitious cyclone of humor entertains the audience with threads of thematic action, roccoco rythmic storytelling, glimmers of conflict, lyric …

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Review: Stay by Wimberley Players

Review: Stay by Wimberley Players

by Michael Meigs
Published on September 17, 2013

STAY is a concept piece, a one-trick pony that can be made to work by talented director David McCullars, his capable cast, and the Players' fine technical support.

The Wimberley Players give Sheila Cowley's Stay a quality production with a strong cast and superb production values.  This piece by the Florida playwright had its premiere with the Players Theatre in Sarasota, and its transfer between local theatres ready to try out new work is an encouraging sign that not all such venues are in lockstep with the likes of Arsenic and Old Lace, Neil Simon and the Texas gothic comedies of Jones, Hope & Wooten.   Deanna …

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Review: Art Show/Model Show by Paper Chairs

Review: Art Show/Model Show by Paper Chairs

by David Glen Robinson
Published on September 03, 2013

The models who created this show classify it as documentary theatre. They have a video record of their topic much more extensive than the images shown in the performance. They have identified and developed a powerful topic and a bold presentation.

A Participating Artist's Impressions The artists stood at easels or sat at drawing tables in the well of the theatre, downstage center, or more aptly, house center.  The stage was multilevel, rising before us and offering sightlines better than in most figurative art workshops.  The lighting on the models was also much better than in any workshop.  My choice of oil on canvas as the medium ensured no relaxation on my part.  I sweated and …

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Review: Zeus in Therapy by Tutto Theatre

Review: Zeus in Therapy by Tutto Theatre

by Michael Meigs
Published on August 23, 2013

Director Gary Jaffe and friends do the playwright full justice, and they grace us all with their version of the ancient Greek concept of mimesis, the concept that works of art are to be understood as models for beauty, truth and the good.

Tutto Theatre's Zeus in Therapy by the late UT classics professor Douglass Stott Parker is dazzling, and at times, as his brilliant wordplay coincides with the gesturing and capering of the astonishing Greek chorus, it is simply stunning.   'Stunning' is a word thrown about lightly in the casual talk of our day.  But I mean it literally.  The brilliance, complexity and sheer entertainment value of this staging and this cast is sufficient to blow your circuits, …

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Review: The Motherfucker with the Hat by Capital T Theatre

Review: The Motherfucker with the Hat by Capital T Theatre

by Michael Meigs
Published on August 20, 2013

The conclusion of the action is logical, very nearly inevitable, and arises directly from Jackie's inner flaws -- qualities and outcome that correspond very closely to the Aristotelian criteria for tragedy.

Let's get right down to that title.  The expletive noun is one of the most offensive combinations in the English language, and many of us get a sharp visceral twinge seeing it used in the title of Guirgis's play.  The noun and variants of its subsidiary combinant verb are also among the most common oral expressions in the English language, especially in American parlance.   Words are powerful, especially when they evoke taboos.  Publications and …

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Review: The Motherfucker with the Hat by Capital T Theatre

Review: The Motherfucker with the Hat by Capital T Theatre

by David Glen Robinson
Published on August 20, 2013

“Love conquers all” is the phrase for Jackie --and it certainly conquered him.

Capital T Theatre’s production of The Motherfucker with the Hat (TMFWTH) by Stephen Adly Guirgis fairly screamed “exploitation!” in its promise -- or rather, warning -- of foul language and nudity.  As usual , the reality escaped the hype in unpredictable ways.  TMFWTH was a far more serious play than its unfortunate title suggested.   The story of TMFWTH was fairly direct.  Jackie (J. Ben Wolfe) comes home to the apartment he shared with his love, Veronica …

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