by Hannah Neuhauser
Published on March 04, 2026
The protagonist's memory of her thirteen-year-old self trying to rescue endangered horses rekindles our first wild, sweet taste of freedom.
What does freedom taste like? That bite of rebellion. The surge of your agency. Words vibrating from your mouth, not in anger, but in truth of your being. Does it taste like relief? Like mint, open and fresh as green grass? Or is it rich like chocolate, coating the tone in bitter sweetness? Freedom is a taste difficult to name, but it's undeniably yours. And no one – no one – can take it away …
by Hannah Neuhauser
Published on September 14, 2025
At Penfold Theatre, director Scott Shipman and associates give us a beautifully retooled, sensitive version of the ultimate back-to-middle-school musical, teaching emotional resilience, something needed now more than ever.
The word is “empathy.” Defined by Merriam-Webster as “The action of understanding, being aware of, being sensitive to, and vicariously experiencing the feelings, thoughts, and experience of another.” Originating from the Greek word empatheia meaning “passion” or "state of emotion." To use it in a sentence – “Penfold’s production of 25th Annual Putnam County Spelling Bee inspires empathy for our inner child through an ensemble of lovable characters and specular performances.” The ultimate back-to-middle-school musical …
by Michael Meigs
Published on June 11, 2025
Are theatre people beautiful? Vulnerable? Ridiculous? (All of those?) How about Chekhov? This smart, kinetic farce will fill you in!
Quick quiz: Identify yourself: are you/were you - a theatre kid/college actor/theatre artist (struggling or not)/theatregoer? Are you nerdy enough to know who Anton Chekhov was? Do you know any of his plays? Have you acted/designed/produced any of his plays? Do you like farce? Not slapstick, exclusively; think something more like The Play that Goes Wrong but without the pratfalls. Are theatre people beautiful? Vulnerable? Ridiculous? (All of those?) Your answers don't matter; go see …
by Vanessa Hoang Hughes
Published on October 15, 2024
Sit back and enjoy the story of Mister Rogers in Penfold Theatre's sweet, low-stakes show with some fine actors.
You’ve probably found yourself enveloped in the wondrous world of Fred Rogers. Whether you watched his original show or the animated spin-off Daniel Tiger’s Neighborhood, you remember the kindness, wisdom, and love Rogers shared with his audience. As a proud Daniel Tiger kid, I can testify to the effect Mr. Rogers had on my childhood and how his themes of friendship and important feelings shined in my five-year-old eyes. I’m Proud of You by Tim …
by Brian Paul Scipione
Published on April 04, 2022
Kareem Badr's performance as Antonio Salieri in Liz Fisher's rework of AMADEUS is mesmerizing. The chaos of the play succeeds impressively in reflecting the chaos of his character’s mind.
In the early 1990's Spanish chef Ferran Adriá came up with "deconstructed food," an approach in which a dish is served with its primary ingredients presented separately. The idea was that diners should be able to re-assemble them so as to experience the dish anew in an entirely personal experience. The essence of a classic dish is maintained but its form is broken down so one has greater appreciation of the parts that make up …
by David Glen Robinson
Published on October 29, 2018
The performance of this work must instantly go over the top and stay there for the duration of the show if it is to work at all. And this it does. Brilliantly.
Nevermore, the musical is an imaginary biography of America’s famous nineteenth century writer. The treatment, authored by Jonathan Christensen, is brilliant for wisely and succinctly relating the facts of Edgar Allan Poe’s life—what we know of them—to some of the major works of Poe’s fantastic flights. Christenson's imagination cuts through what remains obscure about Poe to create plausible scenarios, and then he wraps it all up in music and song to make a musical. And …