Reviews for Bottle Alley Theatre Company Performances
Review: Trash Planet by Bottle Alley Theatre Company
by Michael Meigs
Published on August 21, 2024
On a morbidly static trash planet playwright Kansas creates vignettes of hardships, backstories from previous lives, and a despairing determination to return to the fascistic hell Earth has become.
Bottle Alley Theatre Company has been doing "DIY Punk Theatre" since I first encountered them twelve years ago, thanks to an invite from founder Chris Fontanes. He and like-minded young theatre artists have remained true to that slogan ever since, scheming and dreaming tales that often deal with the dark, the dreaded, and the fantastic. Early on, they grubbed up free spaces, often outdoors, but as Fontanes' determination was recognized by the Austin arts …
Review: Wraith Radio by Bottle Alley Theatre Company
by Michael Meigs
Published on June 30, 2023
The reveals of WRAITH RADIO, when they come, are well foreshadowed and satisfying—if, that is, yielding to the void can ever seem satisfying to those still quivering with life.
Chris Fontanes's parable Wraith Radio portrays delirium and last hours of an injured soldier isolated in some dark time and place. The work debuted in a shabby warehouse in South Austin in 2016. The playwright's ragtag Bottle Alley Theatre Company was born in an equally devastated punk locale in 2012, and they've crept from one found venue to another since—proof of the ingenuity and dogged determination of DIY theatre makers. The 2016 Wraith Radio …
Review: A League of Her Own by Bottle Alley Theatre Company
by Justin M. West
Published on May 20, 2022
"That was one of the best performances I have ever seen," I told Abby Ferree, the solo protagonist. I stand by that. "You're amazing," I told director Allison Price.I regret not finding better words for an unforgettable and transformative experience.
For years I have maintained, as I likely always will, that theatre is not and should never be a "safe space." I am not referring to the creation process, of course. The creation of a piece, from its inception to its rehearsals and performances, should absolutely be a safe space for all involved. The safety of performers and those supporting them is paramount. But the art, itself? The ideas and emotions it evokes and …
Review: Wildcraft by Bottle Alley Theatre Company, in the Vortex Garden
by Justin M. West
Published on November 21, 2020
WILDCRAFT is a participatory exercise, extremely immersive. Our fingertips relish in the touch of unfamiliar herbs. Our ears parse our host December’s carefully crafted, wistful and alluring oration. Bottle Alley has done something exceedingly special.
2020 has been a year of sacrifice and loss. We’ve traded abundance for scarcity, kinship for solitude, and whim for measured compromise. For those of us with a creative spirit and for whom trips to the theatre were a mainstay of our nights and weekends, the inability to enjoy the arts—or the outright unavailability of them—has served as a poignant reminder that we’ve been taking it all for granted. Joni Mitchell was right. …
Review: Black Dog by Bottle Alley Theatre Company
by Justin M. West
Published on September 14, 2018
BLACK DOG's running themes are abuse and social anxiety. Attachment and retribution. The bonds of love and friendship, and the deepest caverns of human depravity. Through lengthy monologues and thoughtful abstractions, the audience is forced to ask... why?
Bottle Alley, brainchild of local playwright Chris Fontanes, is nothing if not offbeat. If you're in the mood to dress to the nines and buy your trophy wife a $9 plastic cup half-filled with some shitty Merlot or another, this is not the theatre company for you. However, if you desire something original, risky, and challenging, and you don't mind using bug spray before watching a show in a creepy ass barn filled with shit …
Review: Self Portraits by Bottle Alley Theatre Company
by Michael Meigs
Published on April 11, 2018
Behind the laughter was a keen sense of the absurdity and difficulty of lives of young adults; they invited us in, revealed themselves and just about knocked our socks off with energy and revelations.
The eleven actor/writer/participants in Bottle Alley's Self Portraits filled the Back Pack's hole-in-the-wall space in East Austin with exuberant energy reminiscent of summer camps, stand-up comedy fests and drama therapy sessions. This was a real smörgåsbord of an evening, a festive intellectual table of unpredictable experiences. These celebrants had worked up thirty pieces averaging about two minutes each, and the numbered sheets hung on a line high across the stage. Audience members were encouraged to …