Recent Reviews
Review: Rodgers and Hammerstein's Cinderella (with Deaf Austin Theatre) by Zach Theatre
by Michael Meigs
Published on January 31, 2023
The glam fairy godmother delivers the theme—there's music in you—but no one hears it in this evocative production, for it's only in ASL and projected lyrics.
Produced with the Zach Theatre's usual exuberance and technical elegance, the production of Rogers and Hammerstein's Cinderella is a memorable evening of theatre. The audience's wildly enthusiastic reaction on opening weekend certainly confirmed that. This production also surprises and intrigues as an educational experience, thanks to the remarkable and inventive collaboration with Deaf Austin Theatre and the charismatic performances of Sandra Mae Frank and additional actors who are deaf or hard of hearing. The story …
Review: Pretty Woman, the musical by touring company
by Brian Paul Scipione
Published on January 24, 2023
As they say in the movies, “It must be difficult to let go of something so beautiful.” And this is why people will always return to fairy tales like PRETTY WOMAN.
In its ongoing commitment to bring Broadway to the City of the Violet Crown, Texas Performing Arts and Broadway in Austin presented Pretty Woman: The Musical between January 17 and 22, 2023. Runs are necessarily limited for touring productions, but they are always worth trying to catch and tickets are on sale well in advance. Conveniently, most modern Broadway productions are familiar stories. Upcoming productions include Aladdin, Ain't Too Proud: The Story of The Temptations, …
Review: The Sound Inside by Jarrott Productions
by David Glen Robinson
Published on January 15, 2023
A rule-breaking student asks his creative writing professor to read a dark novella, a twisted take on Catcher in the Rye. Intimacy and intimations of suicide color this vividly produced story.
The Sound Inside by Adam Rapp shakes the earth without arrogance or condescension. With this and recent productions Jarrott Productions has found its stride on a high plateau of excellence in production and theatrical art. Much is due to the dramaturgy of Producing Artistic Director David R. Jarrott. In The Sound Inside, much of the excellence is brought to the audience by actor Rebecca Robinson, who plays fictional Yale faculty member Bella Baird. All of …
Review: La Pastorela Audaz by Teatro Audaz
by Michael Meigs
Published on December 22, 2022
LA PASTORELA is usually intended for young audiences -- but it's a great amusement for all. José de Hoyos as Luzbelle the devil and Miranda Valdez-Williams as a Tik-Tokking shepherd were especially funny.
Almost all of us in the United States are deeply embedded in winter holiday traditions that we first encountered as children. Most typically, the church christmas pageant walking through the Biblical recital of the Christmas story or, for those less religious, Dickens' Christmas Carol, that enduring, sentimental admonition to love others. Both follow familiar, well-defined scripts. La Pastorela, a Christmas tradition deeply rooted in Mexico, instead offers variations of a basic scenario, the shepherds' travel …
Review: We're Here by Kathy Dunn Hamrick Dance Company
by David Glen Robinson
Published on December 14, 2022
WE'RE HERE was yet another gemlike dance event given to the world by the Kathy Dunn Hamrick Dance Company. They are indeed here, and we wish fervently for them to stay.
We’re Here was the December 2022 offering of the Austin-based Kathy Dunn Hamrick Dance Company, headquartered at Café Dance in west Austin. Ever-innovative, Dunn Hamrick the choreographer and her company formulated a visual guide for the aid and assistance of audience members. It was a rebuslike mural or map of symbols (hiking boot, cloud, microwave, etc.) taking us from the beginning to the end of the show. So we wouldn’t forget, the hardcopy map covered …
Review: The Gulf by Street Corner Arts
by Michael Meigs
Published on December 10, 2022
These extraordinary women actors explore tensions and attractions with a script at times wildly comic, at times charged with emotion. Highly recommended.
Two women. Together in a boat on a shallow bay in the Gulf of Mexico. Nobody else around. Another boat passes at high speed, and the women shout mocking defiance, yell bad advice, give them the finger. No, this isn't a story of victimization. This seventy-five minutes delivers turbulence and a torment, but those are interior emotions. Playwright Audry Cefaly places her characters in the watery expanse of Mobile Bay or Florida's Redneck …