by Michael Meigs
Published on November 09, 2014
Coronado Castillo's piece would have been more satisfying if it had offered some hope of enduring emotional attachment between the two women. Instead, she pumps us up with the comedy of mockery, exaggeration and irony.
Liz Coronado Castillo's comedy telegraphs its quirky contradictions right on the poster: One chica. Two tías. And three fairy-drag-queens. The mind boggles: let's fling a trio of campy drag performers into a patio occupied by a thoroughly traditional Latino matriarchy and enjoy the fireworks and confusion. On opening night most of the audience was enthusiastic and willing to linger afterwards to praise the humor and the message of tolerance. Aye, No! balances those two worlds pretty …
by Michael Meigs
Published on November 09, 2014
Liz Coronado Castillo's comedy telegraphs its quirky contradictions right on the poster: One chica. Two tías. And three fairy-drag-queens. The mind boggles: let's fling a trio of campy drag performers into a patio occupied by a thoroughly traditional Latino matriarchy and enjoy the fireworks and confusion. On opening night most of the audience was enthusiastic and willing to linger afterwards to praise the humor and the message of tolerance. Aye, No! balances those two worlds pretty evenly and director …
by David Glen Robinson
Published on November 02, 2014
Trouble Puppet Theater Company has opened a new work adaptation of classic popular literature, The Strange Case of Edward Hyde and Dr. Jekyll, at Salvage Vanguard Theatre on the east side. Admiring fans of Trouble Puppet have waited a while for a new production from the intrepid puppeteers, and they will find the results well worth the wait. This new work shows theatrical growth while retaining the freshness and keen imagination for which Trouble Puppet …
by Michael Meigs
Published on October 28, 2014
Henrik Ibsen's second-floor apartment is maintained and curated today as a major tourist attraction in Oslo, the capital of Norway. This past summer we found it rather impressive; it's so centrally located that in the last years of his life the grumpy little man with sideburns and top hat could easily take his daily constitutional down to the Grand Cafe for cigars and coffee. By that time he was a Great Man, eagerly pointed out …
by David Glen Robinson
Published on October 27, 2014
People have different opinions about audience participation, so be aware that this show is 100 percent audience participation. On the other hand, those who prefer to receive their theatre insights sitting comfortably in their seats may be pleasantly surprised at what they can enjoy as the performing guests of honor in this innovative show. The audience donned hooded robes and plain white masks, and then they were led by the hand through the ritual. With …
by Michael Meigs
Published on October 24, 2014
Trust. Trust is essential. Trust is fundamental to theatre art. We the audience come to the appointed place and time, trusting the actors with our attention and our time; company and audience understand the unwritten rules of the playing space. We depart trusting one another on a journey of defined duration, even consenting to turn off our cell phones and other noise-making devices so that, like airline passengers, we're locked away in a shared reality …