by Michael Meigs
Published on February 15, 2019
Polemical but well crafted, Sarah Treem's script with its strongly contrasted characters, episodic construction and tidy plot is evidence of the playwright's success as a writer for television. Her message is clear.
Go back forty-six years with playwright Sarah Treem and the artists of Filigree Theatre, and you'll find yourself in an eerily different place and time. The unpretentious kitchen Chris Conard has crafted in the compact space of the Mastrogeorge Theatre looks pretty much like what you'd expect to find at a bed and breakfast out on an island close to the border with Canada, but you're seeing through a glass darkly. While St. Paul urged …