Recent Reviews
Review: Follies by Entr'acte at Parker Jazz Club, March 5, 2023
by Michael Meigs
Published on April 07, 2023
Follies was a reviewer's torment -- too much treasure, no time to signal it. Enormous talent compressed into the small space of the Parker Jazz Club was almost to much to take.
Sarah and Adam, how could you torment a theatre reviewer so? The Sunday afternoon performance of Sondheim's dense, evocative 1971 musical Follies at the atmospheric Parker Jazz Club was the first of only two, performed on a single day. What use, then, is a review, except as an expression of regret that more theatre lovers did not get to witness it? Wikipedia asserts that Follies was the first work for which Sondheim insisted on writing …
Review: A HAIR CAN SPLIT THE DIFFERENCE, Blipswitch Dance to April 2, 2023
by David Glen Robinson
Published on April 01, 2023
Thirteen women dancers of BLIPSWITCH commanded the vast outdoors of The Long Time with a mosaic of contemporary movement technique. Their smooth large-scale performance exceeds anything similar done in the region.
Blipswitch's large-scale performance A Hair Can Split the Difference exceeds anything similar by other professional dance companies in the region. That formidable production plays at the Long Time outdoor venue off FM969 in eastern Travis County. Blipswitch gave a smooth, skilled performance lacking glitches and rain, which had been forecast. Unlike other companies with growing pains when they increase in scale, Blipswitch had no miscues, errant lighting, or fractious sound systems. The performance began in …
Review: Dance on Film by Kathy Dunn Hamrick Dance Company
by David Glen Robinson
Published on March 29, 2023
Dance on Film 2023 provided an evening of well-made and often intriguing films of immense diversity and much good humor.
The long-running Dance on Film series of the Austin Dance Festival presented yet another strong set of dance films, not merely cameras pointed at dance stages or rehearsal floors, but dances imagined and performed for the camera. In these dances cinematography is very much a partner of choreography. That quality opens the dance world to cinema's near-infinite variety of sets and settings, lighting designs, soundtracks, and costumes. A brief interview with Ilana Wolanow, co-producer of …
Review: The Poetry Shift by Southwest Theatre Productions
by Michael Meigs
Published on March 05, 2023
THE POETRY SHIFT is just the sort of theatre for which I glean the theatre fields of Austin -- an new, intimate, small-cast drama people with distinctive characters and new faces.
The Southwest Theatre Productions staging of Daniel Born's The Poetry Shift is just the sort of theatre for which I glean the theatre fields of Austin -- an new, intimate, small-cast drama peopled with distinctive characters and new faces. Kat Sparks did us all a service by setting up this showcase. I immediately regretted that I hadn't been to see it early in its four-week run at the Trinity Players black box on the fourth …
Review: Disney's Aladdin by touring company
by Brian Paul Scipione
Published on February 28, 2023
This touring production of ALADDIN is a runaway smash. The story is relatable and succent; all character choices make perfect sense. Most importantly it’s just really fun.
It's no surprise that the Broadway version of Disney’s Aladdin is from the producer of The Lion King. The productions also share a lyricist in Tim Rice, but other than that they're are quite different. The Lion King has been a much greater success by a variety of metrics. It won five times as many Tony Awards and has netted more than double the profit. The Lion King is the third-longest-running Broadway show of all …
Review: Godspell by Mary Moody Northen Theatre, February 16 - 26, 2023
by Michael Meigs
Published on February 19, 2023
This joyful, kaleidoscopic production of GODSPELL gives every performer, clad in colorfully eclectic, sometimes eccentric garb, plenty of chances to shine.
First of all, the group photo in publicity for Godspell at St. Edward's University is misleading. Those young persons regard Che Greeno as the Jesus character with solemn expectancy, while he focuses serenely on the heavens. It could have been clipped from an earnest Sunday school magazine. It's static. The people are submissive. Greeno appears about ready to leave them all behind as he ascends to heaven. I'll say it: in this Godspell, it ain't …