by Michael Meigs
Published on August 09, 2009
Julio Mella and the Austin Drama Club have translated Richard's evil into quaint modern terms -- modern, in that the early twentieth century setting is almost within living memory, and quaint, because the story mirrors popular fictions, further reinforced by the Godfather novels and movies.
He was standing at the gate when I walked up. East 7th and Concho. This looked like the place."Is this where the play is?"He looked me over. "Yeah. Go ahead. The house is open."Yes, it was open. And it was a house. Dark inside, with rough fabric curtains hanging between the entry and the kitchen, and then between the kitchen and the living area. Cooler this time, with an air conditioner laboring away in the …
by Michael Meigs
Published on August 07, 2009
Boulanger's achievement both as playwright and director is that he starts with loud chaos, exaggeration and absurdity, and he gradually endows his characters and his story with humanity and depth.
Think Bart Simson meets Betty Crocker on LSD, with a confident cast and decisive playwright/director who steer a comedy of infantile, broken characters through ambiguous plots and overlapping time to crisis and a touching resolution. House of Several Stories, John Boulanger's MFA project at Texas State, had a reading at the university and played for just a flicker of time in early October, 2008 at the Blue Theatre in Austin. In April it won the …
by Michael Meigs
Published on August 06, 2009
SummerStock's joyous production of Little Shop of Horrors gets extra class credit in recognition for its part in re-Americanizing this reviewer.
SummerStock's joyous production of Little Shop of Horrors gets extra class credit in recognition for its part in re-Americanizing this reviewer.After last May's production of the same script by the Georgetown Palace Theatre, I took the liberty to grump that theirs was a "Grade A production of a Grade D musical play."I did explain that unlike the rest of the audience, I had never been exposed to Audreys 1 or 2, either on film or …
by Michael Meigs
Published on August 05, 2009
Leslie Guerrero as the prologue invited us to exercise our imaginations and to go with the ride, and quite a ride it was.
The Weird Sisters Theatre Collective's Goodnight Desdemona, Good Morning Juliet was a very Austin event. The Sisters performed Anne-Marie MacDonald's broad feminist satire of Shakespeare and stuffy scholars in the backyard at the one and only Cathedral of Junk in South Austin, just a few blocks south of 290W/Ben White Boulevard. Closing night last Saturday was full, as a wide mix of folks filled up the very miscellaneous and inventive collection of chairs. Proprietor Vince …
by Michael Meigs
Published on August 04, 2009
Cody Chua seduces the audience with his confident ease on the stage. As Richard, he knows that he is acting; as the actor playing Richard he is at home with all those eyes upon him.
Shakespeare at Winedale is most of the way through its July 16 - August 9 summer season of three plays done by students accepted for its "Shakespeare boot camp." Those of us who attended last Saturday afternoon's performance of Richard III saw the cast gather in a circle and heard them chanting vocal exercises, a prep to get the blood racing for their performance.The barn at Winedale has been the performance locale since 1970. One …
by Michael Meigs
Published on August 03, 2009
The director has pushed Gabriel Luna as Orestes to such energy and desperate volume that the character becomes tiresome well before he resorts to the expedient of kidnapping Aunt Helen and holding her hostage (sic).
Hidden Treasures from Afghanistan's National Museum are now on exhibition at New York's Metropolitan Museum of Art, the last of several stops in a 15-month tour of the United States. I caught the exhibit in Washington DC last year, but you may have seen it this spring in Houston.A haunting diorama of a barren Afghan plain shows how the unimaginable golden treasures were preserved in hidden subterranean vaults for thousands of years, even as the …