by Michael Meigs
Published on August 31, 2010
Playwright Steven Adly Guirgis takes a long time to set up the courtroom drama, a tiresomely predictable dramatic device. As in a slogging heavyweight title fight, some of the rounds are engaging and entertaining while others are lost time.
. . . or, perhaps, The Road to Salvation as imagined by Bart Simpson. The setting is a clichéd and unfunny take on the Day of Judgment, the plot's a mess, the characters are mostly caricatures, and The Last Days of Judas Iscariot was LONG -- close to three hours, including one intermission. A brilliant and moving play was hiding inside this mess, one that came clear in the concluding scenes, after the grunge and cuteness had …