Reviews for Jarrott Productions Performances
Review: Dial M for Murder by Jarrott Productions
by David Glen Robinson
Published on April 12, 2025
Jeffrey Hatcher's canny contemporization of the 1952 play and 1954 Hitchcock film will keep you guessing. A fine cast is supported by superb design work.
Dial M for Murder is for fans of crime dramas. It's not at all a whodunit, but rather a think-heavy chess puzzle of crime and sexual and emotional entanglements, leaving audience members who don’t know each other comparing notes on clues at intermission. How could it be otherwise with Natalie D. Garcia as lead actor? And with a plot-tumbling surprise? And with Dave Jarrott directing? Frederick Knot's classic murder thriller was first staged in …
Review: The Shark Is Broken by Jarrott Productions
by David Glen Robinson
Published on February 12, 2025
It's about an unseen fish—but also about the epic clashes between three moviemakers becalmed by delays, frustrations, and booze. Exceptional character work and lots of hilarious schadenfreude!
Comedies about the making and unmaking of famous movies are extremely rare. Other than The Shark is Broken about the making of Steven Spielberg’s 70s blockbuster Jaws, this reviewer can recall only Moonlight and Magnolias by Ron Hutchinson about the desperate writing of the 30s global gamechanger Gone with the Wind. Comparisons are inevitable, but The Shark is Broken stands up well to Moonlight and Magnolias. Inside jokes are rife, their authenticity assured by co-author Ian Shaw, …
Review: POTUS by Jarrott Productions
by David Glen Robinson
Published on October 21, 2024
POTUS won't explicitly instruct you how to vote, but director Karen Jambon and this high-energy female cast will leave you in stitches.
Jarrott Productions' staging of Selina Fillinger's farce comedy POTUS is extremely well-timed for this presidential election season. Directed by the highly regarded Karen Jambon, the lavish production takes place inside the cozy, comfortable and accommodating Trinity Street Playhouse. POTUS is farce verging on slapstick,a boundary somewhat hard to define. For example: a character enters and immediately vomits into a wastebasket. You decide. The play finds its edge in several offices and rooms …
Review: A Million More to Go by Jarrott Productions
by David Glen Robinson
Published on June 18, 2024
A hugely funny and thought-provoking comedy, Max Langert's A MILLION MORE TO GO is swift and vivid with an outstanding cast of now familiar multi-talented Austin actors.
Cinnamon Path Productions and Jarrott Productions have premiered Max Langert's new absurdist comedy A Million More to Go at Trinity Street Playhouse in downtown Austin. The conjunction of forces by these two companies has salutary effects for theatre audiences: satisfying entertainment and, oddly, thoughtful commentary on current social and political issues. Langert has written much, including theatre pieces Gibberish Mostly, produced by Ground Floor Theatre, and The Pact, recently presented by Jarrott Productions, …
Review: Home, I'm Darling by Jarrott Productions
by David Glen Robinson
Published on March 29, 2024
Will Gibson Douglas's fine directing stitches together a cartoonish plot, strengthened by excellent actors. Do YOU want to go back to the Ozzie-and-Harriet 1950s?
The first act of Home, I’m Darling stamps Ozzie and Harriet, British edition on our minds. The saccharine preciousness of the set is matched by the opening caricatured scenes of action. Later, with a line serving to cover the embarrassment of the play at having done that to us, one of the characters denounces the principals, Judy (Martina Ohlhauser) and Johnny (Tobie Minor), as having turned their lives into cartoons. Right, cartoons. But …
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Two CTXLT Reviews: DEATHTRAP by Ira Levine, Jarrott Productions
by David Glen Robinson
Published on November 08, 2023
Playwright Ira Levin displays his hubris by mocking his own cliché-loaded genre in approved Ivy League haute-snobbery while still entertaining and frightening audiences.
Death Trap is well-regarded as a model murder/thriller potboiler with plot twists and reversals presented to the audience at every peak of its impressive dramatic action. Of great enjoyment is the fact that in all the excitement, the play takes its time. Contrast that pacing to stand-up comedy's effort to deliver a punchline every six seconds. Still, the stage is strewn with many bodies after just two and a half hours playing time. What’s less …